PrepShorts · Study sheet · Class 9 Mathematics · Chapter 5, I’m Up and Down, and Round and Round
Chapter 5 · I’m Up and Down, and Round and Round
Length and distance from the centre are the same fact twice (Theorems 6–8)
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A chord carries two numbers: how long it is, and how far it stands from the centre. Fix the circle and choosing one fixes the other.
The idea
On one circle a chord has two measurements — its length and its distance from the centre — and they are not independent: the perpendicular from the centre splits the chord in half and makes a right triangle whose hypotenuse is the radius, so r² = d² + (half the chord)². One equation, with r held fixed, and everything in this section falls out of it. Equal lengths force equal distances, equal distances force equal lengths, and because the two terms must always total the same r², increasing one has to decrease the other — which is why the longer chord is always the nearer one. The chapter also does something worth naming: it runs a tracing-paper demonstration, admits in as many words that a claim holding on many examples is not thereby true, and then proves it.
What you should be able to do
- State what a chord's distance from the centre means, and say why the perpendicular is the only distance worth measuring
- Carry out the two-fold paper activity and identify the crease that gives the chord and the crease that gives the perpendicular
- Explain why a demonstration on many drawn chords does not settle a general claim, citing the chapter's own statement of that principle
- Prove that chords of equal length lie equally far from the centre, both by congruent whole triangles and by RHS on the half-triangles
- Prove the converse, and say where the chapter locates that proof
- Derive r² = d² + (half-chord)² and use it in either direction
- Prove that of two unequal chords the longer lies nearer the centre, and identify the step where squares are compared
- State the two extreme cases: the chord through the centre, and the chord pushed out to a single point
- Explain why doubling a chord's distance from the centre neither halves nor doubles its length
Words to know
| Term | Definition in one line | First introduced |
|---|---|---|
| distance of a chord from the centre | the length of the perpendicular dropped from the centre onto that chord | printed in §5.6, p. 102, and formalised in §5.6.1, p. 105 |
| perpendicular distance | the distance measured at right angles, the only one meant here | printed in §5.6.1, p. 105, and in Exercise Set 5.5, p. 105 |
| equidistant | at the same distance from | printed in §5.1, p. 93, and in Theorem 7, p. 104 |
| Baudhāyana–Pythagoras theorem | the chapter's name for the relation among a right triangle's sides | printed in Exercise Set 5.4, p. 104, and in §5.6.1, p. 105 |
| RHS congruence | the right-angle–hypotenuse–side congruence test | printed in §5.6, p. 104 |
| SSS congruence | the side-side-side congruence test | printed in §5.6, p. 103 |
| altitude | the perpendicular from a vertex to the opposite side | printed in §5.6, p. 103 |
| crease | the fold line in the paper, standing in for chord or perpendicular | printed repeatedly in §5.6, p. 102 |
| tracing paper | the transparent sheet used to carry a chord round the circle | printed in §5.6, p. 102 |
| diameter | the chord through the centre; here, the chord of greatest length | printed in bold in §5.1, p. 93; treated as the greatest chord in the Comment, p. 105 |
| half-chord | the explanation's shorthand for half a chord's length, one leg of the right triangle | an added term; the chapter uses the two halves and never names one |
| length–distance relation | the explanation's name for r² = d² + (half-chord)² | an added label; Exercise Set 5.5 Q2 prints the chord-length formula and the chapter gives the relation no name |
Where people slip up
- "A chord's distance from the centre means its distance to one of the ends." It means the perpendicular distance, and the chapter says so explicitly when it states Theorem 8. The distance to an end is always the radius and tells you nothing.
- "Longer chord, farther from the centre." Exactly backwards, and it is the most common error on this topic. Theorem 8 and Table 1 both exist to break it. The intuition comes from thinking of the chord as being "further round" the circle.
- "Chord length is proportional to distance from the centre, or inversely proportional to it." Neither. The relation is through squares. Starred Q3 is built to catch this.
- "The demonstration with tracing paper settles Theorem 6." The chapter itself says it does not. Reproducing the demonstration and stopping there teaches students that seeing several cases is proof, which is precisely what this page is written to prevent.
- "The two proofs of Theorem 6 are the same proof." They are not: one compares the whole triangles and uses the equality of corresponding altitudes; the other splits each chord at its midpoint and uses RHS on the halves. The second needs Theorem 5 first, and saying so shows the results stacking.
- "Every chord has a well-defined distance and a well-defined length, so both can be chosen freely." On a fixed circle, choosing one fixes the other. Two free numbers is one too many.
- "A chord of length zero is not a thing." The chapter's own Comment treats the collapse to a point as the end of the range. Present it as a limiting case and say so, rather than letting students think a point is a chord.
- "Same side and opposite side are interchangeable for parallel chords." End-of-Chapter Q18 says same side and Exercise Set 5.3 Q3 says opposite; the arithmetic differs. Read the words.
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Worked answers to this chapter’s exercises · this video explains Exercise Set 5.4 Q1, Exercise Set 5.4 Q2, Exercise Set 5.4 Q3, Exercise Set 5.5 Q1, Exercise Set 5.5 Q2, Exercise Set 5.5 Q3, End-of-Chapter Exercises Q1, End-of-Chapter Exercises Q3, End-of-Chapter Exercises Q4, End-of-Chapter Exercises Q9, End-of-Chapter Exercises Q12, End-of-Chapter Exercises Q16, End-of-Chapter Exercises Q18, End-of-Chapter Exercises Q23
Transcript1,447 words
Cut a circle out of paper and fold it inwards once. Open it up: the crease is a chord. Now fold again, bringing the two ends of that chord together. Open it up. Two creases, and they cross. The second crease runs through the centre and meets the first squarely, at the chord's middle. So you can point at something you could only define before. That is how far the chord stands from the centre, and it can be measured with a ruler.
Be exact about which distance that is. It is the perpendicular one - the segment dropped from the centre at right angles. Not the distance to one of the chord's ends. That is the radius for every chord, so it says nothing about which one you picked. The perpendicular distance is the shortest way from the centre to the chord, and the only one that changes as the chord moves.
So each chord carries two numbers: its length, and how far out it sits. Whether those two numbers are independent is the question. They are not. Here is how the guess arrives. Trace a chord and the centre onto transparent paper, and turn the sheet about the centre. The chord lands somewhere new. Its distance has not changed. Do it again, with a shorter chord. Every time, equal chords come out the same distance from the centre.
And here is the part worth stopping on. That is not a proof. It is a pile of examples, and a pile of examples says nothing about every chord of every circle. A demonstration tells you what to go and prove. It does not do the proving. So prove it. Two chords of one circle, given equal in length. Join all four ends to the centre. Each chord now sits in a triangle with two radii, and all four radii are the same length.
The third sides are the chords themselves, given equal. Three sides against three sides, so the triangles are congruent. The distance we want is the height from the centre onto each chord - and in congruent triangles, corresponding heights are equal. So the distances are equal. That is the theorem. Checked on every pair of equal chords in the sample: three thousand six hundred and seventy nine pairs, congruent every time, heights equal every time.
There is a second argument, worth having as well. Split each chord at its middle - exactly where the perpendicular from the centre lands. Now take one half of each figure. A right angle at the foot. The radius as the longest side. Half a chord as the other side. Equal chords have equal halves, and all radii are equal, so both match across the two half-triangles. Right angle, longest side, one other side - and the third side has nowhere left to go. That third side is the distance.
It really is a different argument: this one needs the midpoint fact first, and the other does not. Now swap the given and the goal. Two chords standing the same distance from the centre. Are they the same length? The picture is identical - same right angles, same equal radii. What has moved is which fact is handed to you and which must be earned. This time the equal distances are given, the equal halves follow, and the chords come out equal.
Same tool, other direction - and it must be run, because swapping a statement's halves can turn a true one false. Equal chords, equal distances. Equal distances, equal chords. One figure, two statements, two arguments. Put numbers on it. A circle of radius five, and a table. A chord ten units long runs through the centre, so its distance is nothing. A chord eight units long sits three out, and a chord six units long sits four out.
A chord four units long sits between four and five out - not a whole number, so leave it bracketed. Read the rows together: ten, eight, six, four going down; nothing, three, four, over four going up. They move in opposite directions, and that is no coincidence about these four chords. The third theorem. Of two chords of different lengths, the longer is nearer the centre. People get this backwards, because a long chord feels further round the circle.
Each chord gives a right triangle whose longest side is the radius - the same radius both times. So the distance squared plus the half-length squared comes to the same total in both. The longer chord has the longer half, so the bigger square - and if one square is bigger the other must be smaller, because the total is fixed. So the longer chord has the smaller distance. That last step deserves a moment. Going from a comparison of squares back to the numbers works only because both are lengths, and lengths are positive.
Minus three squared beats two squared, and minus three does not beat two. Here, positivity is guaranteed. Sorted by length, the distance fell at every one of three hundred and forty six steps, with no exception. All three theorems come out of one equation. The perpendicular halves the chord and makes a right triangle: radius, distance, half the chord. So distance squared plus half-length squared is the radius squared - and on a fixed circle that total never moves.
Equal lengths force equal distances because the total is fixed, and equal distances force equal lengths for the same reason. And if one goes up the other must come down, which is the third theorem. It also settles something students assume: a chord on a fixed circle does not carry two free numbers. Choose the length and the distance is decided, and the other way round. Two free numbers is one too many.
Measured across the sample: three hundred and forty seven lengths, three hundred and forty seven distances, and exactly that many pairings between them. The equation also says where the family stops, at both ends. Push the distance to nothing and the chord runs through the centre, with length twice the radius. That is the diameter, and no chord beats it, because a distance under nothing is not available. In the sample the longest chord was exactly twice the radius, and all nineteen of those stood at no distance at all.
Now the other way. Slide a chord away from the centre and it shortens. When the distance reaches the radius the length has reached nothing, and the chord has collapsed to a single point on the circle. That is the end of the range rather than a chord - and every distance measured came out under the radius, every length above nothing. Which brings the trap. One chord is twice as far out as another. Is the near one twice as long?
Circle of radius five. Put one chord one unit out and another two units out. Their lengths squared come to ninety six and eighty four. Ninety six is not four times eighty four, so the ratio is not two. The ratio of the squares is eight to seven, which makes the nearer chord longer by under a tenth. Not double. Not half. About seven per cent. And there is no hidden factor either: doubling the distance on one circle gives nine different ratios.
Worse: sometimes the farther chord does not exist. Three units out doubles to six, which is past a radius of five altogether. The relation runs through squares, and squares do not do proportions. Trust the equation and you can read anything off it. Radius seven, chord six out: the length squared is fifty two, so the chord is between seven and eight. Radius thirteen, five out, and the chord is twenty four exactly.
Backwards: a chord of sixteen standing six out puts the radius at ten. Here is a better one. Two parallel chords, ten and twenty four, same side of the centre, seven apart. Find the radius. Their distances differ by seven, and their squares differ by a hundred and forty four take twenty five - one hundred and nineteen. A difference of squares is the difference times the sum, so the sum is one nineteen over seven - seventeen. A pair differing by seven and adding to seventeen is twelve and five.
So the radius squared is a hundred and sixty nine, and the radius is thirteen. Forced, not found. One last consequence. Of all the chords through a point inside, the shortest is the one at right angles to the line from the centre - because that chord stands farthest out, and farther out means shorter. Which is the same fact, one more time.
Where this fits
Taken from the notes each video was made from, not from the reading order — these are the ideas this one rests on and the ones that later rest on it.
Builds on
- The centre-to-midpoint line is perpendicular, and the converse (Theorems 4–5)Class 9 · Ch 5, I’m Up and Down, and Round and Round
- Chords of equal length cut off equal central angles, and the converse (Theorems 2–3)Class 9 · Ch 5, I’m Up and Down, and Round and Round
- Total rotational symmetry, and why every diameter is an axis of reflectionClass 9 · Ch 5, I’m Up and Down, and Round and Round
Either side of this one
- Major and minor arcs, and why an arc's central angle is double what it subtends on the circle (Theorem 9)Class 9 · Ch 5, I’m Up and Down, and Round and Round