PrepShorts · Study sheet · Class 8 Mathematics · Chapter 5, Tales by Dots and Lines
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Drawing the same twelve numbers as a line instead of columns adds no figure at all to the data. It adds a claim.
The idea
Drawing the same twelve numbers as columns and then as a line does not add a single figure to the data — but it does add a claim. The segment between two marked months asserts that the quantity travelled from one value to the other, and that assertion is what makes a line graph the right picture for time and the wrong picture for a list of categories. Everything else follows from it: the slope of a segment is the size of a change, so steepness can be read as speed of change without computing anything; the marks are the only measured facts and the line between them is an interpolation; and because the eye reads a whole trend at once, four lines can carry what fifty-two columns could not.
What you should be able to do
- State what a line graph adds to a column graph of the same data, and what it does not
- Decide whether a given data set may honestly be drawn as a line graph, and justify the decision by looking at the horizontal axis
- Read a value off a line graph to a stated precision, and read a change between two points
- Compare two changes by comparing the steepness of two segments
- Identify the axis labels, the units, the scale interval and the legend of an unfamiliar line graph before interpreting it
- Explain how a monthly maximum temperature is produced from many recorded readings, and what that leaves out
- Describe two series on one axis in a way that names both the shapes and the difference between them
- Draw a line graph from a two-row table, choosing an interval that fits the data
- Fill missing table values by reading them off a plotted line, and vice versa
- Read a pair of lines that are two measurements of one place rather than one measurement of two places
Words to know
| Term | Definition in one line | First introduced |
|---|---|---|
| line graph | data marked as points against two axes and joined by segments, used to show change over time | printed in bold at its definition in Part II §5.2 (Part II p.117), and named in the SUMMARY (Part II p.133) |
| clustered-column graph | a bar chart with the bars for one time period grouped together | printed in Part II §5.2 (Part II p.116) for the temperature figure, and again as "clustered column graph" in the box on Part II p.120 |
| dot plot | a number line with one dot per value | recalled at the head of §5.2 (Part II p.116) as something already known |
| monthly maximum temperature | for one month and one state, the largest temperature any of its stations recorded | printed as the figure's own title and explained in Part II §5.2 (Part II p.117) |
| scale | the interval the axis labels step by, and so what one gridline is worth | printed in the two-step reading instruction (Part II pp.117, 119) |
| marker | the shape drawn at each plotted point, chosen so the series can be told apart without colour | the chapter discusses the different shape markers in a side note (Part II p.117) and shows circles for one state and squares for the other |
| greyscale | printing without colour, the case the marker shapes are chosen to survive | printed in that same side note (Part II p.117) |
| slope | how steeply a segment rises or falls, read as the size of the change it spans | the chapter reasons with steepness on Part II p.120 in exactly this way; the noun slope is printed on Part II p.118 inside the annotation on the graph, read on the printed page |
| interpolation | treating the segment between two marks as if the quantity passed through those values | an added term; the chapter draws the segments and never discusses what they assume |
| data source line | the credit printed under a figure naming where its numbers came from | an added label; four figures in §5.2 carry such a line |
Where people slip up
- "A line graph is a bar graph with the tops joined." Visually yes, logically no. Joining the tops asserts that the quantity took the in-between values, and that is a claim about the world which the columns never made.
- "Any table can be drawn as a line graph." Only when moving along the horizontal axis means something. Draw six cities' rainfall as a line and the segments claim a city between Mumbai and Chennai. The chapter never does this.
- "A steeper line means a bigger quantity." It means a bigger change. Punjab's steepest segment is between January and February, where its values are the lowest on the page.
- "The graph tells me the temperature in the middle of March." It tells you March's figure and April's. The line between them is a straight-line guess drawn by whoever made the figure.
- "The monthly maximum is the usual temperature." It is the highest single reading from any station in the state that month. Kerala looking flat means its maxima are flat.
- "Two graphs that look different must show different data." Part II pp.116 and 117 are the same twelve pairs of numbers. Which form to choose is a question about the reader's question, not about the data.
- "If the numbers barely move, the line will look flat." Only if the axis says so. This chapter is careful — the births axis reaches down near half a million and the sleep figures on Part II p.126 are printed twice, once full-scale and once zoomed, precisely so the reader can see what zooming does. Point at the pair rather than warning in the abstract.
- "A source line under a figure is decoration." It is the only thing on the page that lets you find out how the numbers were made. Four figures in §5.2 carry one, and the provenance box exists to make the reader read them.
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Worked answers to this chapter’s exercises · this video explains Figure it Out · 5.2 Q1, Figure it Out · 5.2 Q2, Figure it Out · 3 Q9, Figure it Out · 3 Q14, Figure it Out · 3 Q15
Transcript1,436 words
Here are twelve numbers. The highest temperature recorded each month, for a year, in one place near the coast. Drawn as columns, one bar to a month, they look like this. Drawn as marks joined by straight lines, they look like this. Same twelve numbers. Same twelve heights. Nothing has been added and nothing has been taken away. So which is right? Neither, because both hold exactly the same information.
But the second is not the first one tidied up. It quietly says something the first never did, and this whole video is about what that something is. Look at one segment. March to April, thirty-two point five up to thirty-three. The two marks are measurements. Somebody recorded them. The line between them is not. Nobody measured halfway through March, and yet the line says thirty-two point seven five as if they had.
That is the claim. Every segment asserts that the quantity travelled smoothly from one value to the other, passing through everything in between. The columns never said that. They gave you two heights and stopped. Ask the line about mid-March and it answers instantly. Ask the data, and the honest answer is: nobody knows. So a line graph is only honest when there IS a between. Months have one. Time runs left to right whether you draw it or not, and mid-March exists.
Now put six cities along the bottom instead, and their rainfall above them. Join the tops. The segment between the second city and the third now claims there is a city between them, with a rainfall of its own. There is not. Shuffle those cities into another order and you get a different picture of the same data. If reordering the axis changes the shape, the shape was never a fact.
That is the test. Before drawing a line, ask whether moving right along the bottom means anything. Reading one you did not draw takes two passes, and most people skip the first. Pass one asks only what is given. What the upright axis measures and in what units. What runs along the bottom. What one interval is worth. What the colours and marker shapes mean. Notice the marker shapes. Circles for one place, squares for the other. Shown without colour, or read by somebody who cannot separate red from blue, the shapes are the only thing keeping them apart.
Pass two, and only then, asks what it means. Do those in the wrong order and you will read a shape off a scale you never checked. Because the scale decides what flat looks like. Nought to forty in tens is five labelled lines, and both places fit inside it comfortably. Zoom the axis to twenty-eight up to thirty-four, stepping by two - four labelled lines now - and the coastal year that looked almost level fills the whole height and looks dramatic.
Nothing moved. The same twelve numbers. And start the axis at twenty instead of nought and January vanishes off the bottom, because January was nineteen. A line that looks flat is a claim about the numbers AND about the axis, and you have to read both. Here is the second place, inland, on the plain. Its steepest climb of the whole year is the very first segment, January to February. Six and a half degrees in one month.
And here is the trap. January is nineteen and February is twenty-five and a half. Those are the two SMALLEST numbers on the entire picture. The steepest segment sits at the coldest end of the year. Steepness is the size of a CHANGE, never the size of the quantity. A tall mark and a steep segment are two different facts. And two segments here fall by exactly five - October to November, and November to December. There is no steepest fall. Asking for one asks a question the data does not answer.
Now a question almost nobody asks. Where did one of these twelve numbers come from? Each of these places has several weather stations. This month they recorded thirty-one, thirty, thirty-seven, twenty-eight point five and thirty-three. The number on the graph is the LARGEST of them. Thirty-seven. Not the average, and not the middle one, which is thirty-one. The figure sits six degrees above the middle of what was actually recorded.
So one hot afternoon at one station sets the value for a whole place and a whole month, and nothing here reports a typical day. The line is honest. It is just not answering the question you thought it was. Put both places on one axis and the comparison does itself. The coast climbs to thirty-three in April, dips to twenty-nine in July, and ends about where it started. Highest minus lowest: four degrees, all year.
The plain starts at nineteen, climbs to thirty-eight in June, and falls back to twenty-three. Highest minus lowest: nineteen degrees. So the plain is the more variable of the two - colder in winter AND hotter in summer. A single average for each would have hidden all of it. One foot in ice and one in the fire, and on average all is well. Why choose the line at all, if the columns carry the same numbers?
Two places over twelve months is twenty-four columns. Against two lines. Four series over thirteen years would be fifty-two columns. Against four lines. Fifty-two bars is not wrong. It is unreadable. To follow one series your eye must hop over three neighbours to reach its next bar. The line does that hopping for you. So the choice between the forms is a fact about the reader, never a fact about the data.
Now build one. Two rows: how many customers walked into a shop each day of the week, and how many of them bought something. Sixteen, nineteen, ten, fourteen, twenty, twenty-two, thirty-five walked in. Ten, eight, seven, eleven, twelve, sixteen, twenty-six bought. Pick the interval first. The largest number is thirty-five, so an axis to thirty-eight stepping by two gives twenty labelled lines and holds both rows. Plot, join, and look at what neither row shows on its own: the gap between the lines.
Six, eleven, three, three, eight, six, nine. Tuesday is the widest gap of the week, and Tuesday is not the busiest day. Only eight of nineteen bought anything. Thursday turned eleven of fourteen into buyers. A hundred and thirty-six came in that week and ninety bought, and the forty-six who did not are the gap. Here is the price of a bag of salt, taken every January for ten years, in one region.
Over the decade it rose by six dollars thirty-five. That is the whole story, if a number is all you keep. The line tells a different one. It DOUBLED in the very first year, six to twelve, and then it wobbled. It stood still for three years running, peaked in the middle of the decade at fifteen, and came down again. Three years it rose, three it fell, three it did not move.
Lowest to highest is nine dollars - larger than the decade's rise, because the ends are not the extremes. The rise is not the shape. It is the two ends of the shape with everything between them deleted. Two last readings, both done without measuring anything. Monthly births in one country, every mark between one point four and one point nine five million. How many births in a year? You need not read twelve marks off a crowded axis. Twelve numbers in that band must total between sixteen point eight and twenty-three point four million. Twenty million is inside. Thirty is not.
Now sunrise and sunset for one place, both curves on a clock. The band between them is the day, and the band is the point. Six in the morning to half past four is a ten and a half hour day at the eastern edge. Further north, ten hours in January and fourteen and a half in June, a swing of four and a half hours. Further south the day barely moves all year.
Last one. Moonrise slips fifty minutes later every day. By the fourteenth it rises at six in the evening as the sun sets - a full moon. Keep going and it runs off the top of the clock and restarts at the bottom, which is the axis and not the moon. Fifteen days on it rises at half past six in the morning, with the sun. Marks are measurements. Segments are claims. Read the axis before the shape, and read steepness as change and never as size.
Where this fits
Taken from the notes each video was made from, not from the reading order — these are the ideas this one rests on and the ones that later rest on it.
Comes up again in
- Interrogating a real dataset: traffic, and rainfallClass 8 · Ch 5, Tales by Dots and Lines
- Telling a story with data, and letting it raise the next questionClass 8 · Ch 5, Tales by Dots and Lines
Either side of this one
- Mean and median from a frequency table, by hand and in a spreadsheetClass 8 · Ch 5, Tales by Dots and Lines